Published

M. R. Pestana, “Texto Retrospetivo sobre a minha experiência em torno do PCI”, Veduta, Vol. 2, pp. 48-53, dezembro de 2018.

M. R. Pestana, “A fala das mulheres de Manhouce” (booklet de CD), CD “As vozes de Manhouce”, 2018.

H. Caixinha, S. Caixinha, “Connecting the worlds of music with a digital archive for collaborative research, education and content dissemination” in Chova L., Chova Martínez, I. Torres (eds.) EDULEARN19 Proceedings. Valência: IATED Academy, pp. 1837-1847, 2019. URL: https://library.iated.org/publications/EDULEARN19

M. R. Pestana, “Fado” in J. Sturman (ed.) SAGE Encyclopedia of Music and Culture, vol. 4., pp. 911-913, 2019. URL: http://shorturl.at/exAH7

M. R. Pestana, “Social sustainability and Collective Participation: cyclical dynamics of the Multipart Singing in the Village of Manhouce”, PULS – Journal for Ethnomusicology and Ethnochoreology, vol.4, pp. 80-102, 2019. URL: http://carkiv.musikverk.se/www/epublikationer/Puls_04.pdf

A. Ventura, “Nocturnal practices in Penha Garcia, Idanha-a-Nova, Portugal: the importance of Catarina Sargenta and Maria Nabais in encomendação das almas” in N. Amendola; A. Cosentino, G. Sciommeri (eds.) “Music, Individuals and Contexts: Dialectical Interaction”. Rome: UniversItalia, pp. 443-452, 2019. URL: http://shorturl.at/wzBJ5

M. R. Pestana, M. J. Barriga, “Racines et routes: politiques, esthétiques et pratiques du Cante Alentejano”, “Transposition: musique et sciences sociales”, vol. 9. URL: https://journals.openedition.org/transposition/

Accepted

S. Moreno Fernández, “El Festival Intercéltico de Sendim. Trayectoria, caracterización e impactos locales” (dossier temático “Los festivales y celebraciones musicales como factores de desarrollo socioeconómico y cultural en la Península Ibérica”), aceite para publicação na revista TRANS. Revista Transcultural de Música, vol. 22.